Resources for Mallarmé, Stéphane in Arts/Authors/M/

Stephane Mallarme - New World Encyclopedia

Whatever Mallarmé may have planned for this great work is largely open to conjecture; barely any fragments of the planned work exist, and the few notes that have survived from Mallarmé's notebooks reveal very little of what it may have looked like had it been completed.
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Glowing reviews by his friend Paul Verlaine and the praise lavished on him by Joris-Karl Huysmans in his novel À rebours resulted in Mallarmé becoming a literary celebrity in Paris.
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It is clear from Mallarmé's own writings; especially his dark, early poems that he lived a deeply unhappy childhood.
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Works L'après-midi d'un faune, 1876 Les Mots anglais, 1878 Les Dieux antiques, 1879 Divagations, 1897 Un coup de dés jamais n'abolira le hasard, 1897 Poésies, 1899 (posthumous) External links All Links Retrieved January 17, 2008.
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Stephane Mallarme - New World Encyclopedia Stephane Mallarme From New World Encyclopedia Jump to: navigation, search Previous (Stenotypy)Next (Stephen A.
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The purpose of the poet, according to Mallarmé, was to somehow create something out of the nothingness that is the world and to bring into being, in his own phrase, l'absente de tous bouquets, the ideal flower absent from the bouquet.
www.newworldencyclopedia.org/entry/Stephane_Mallarme

Stephane Mallarme - Biography - Another Form of Intervention II ...

The interviews first appeared in L'Echo de Paris, March 3-July 5, 1891.    MALLARMÉ: We are currently witnessing  .
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., whether the obscurity derives from the deficiencies of the reader or those of the poet .
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. an area that brings up a serious objection I intended to raise .
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Indeed, linked as they are to "the images soaring from the reveries they have induced in one [which] constitute the song," such objects bring to mind Baudelaire's idea that "for Delacroix, nature is a vast dictionary," whose individual entries stimulate the artist's "memory, [which] speaks to one's own memory.''4       Seen in this light, the "infinity of shattered melodies" stresses the new multiplicity of associations as well as the breakdown of traditional form one also finds in the works of the major post-impressionists.
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I, 1891, indicates he would visit him the following day, Tuesday, at 5:00.
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Mallarmé's influence is visible in James Joyce's Finnegans Wake.
www.studiocleo.com/librarie/mallarme/biography.html

Stéphane Mallarmé - www.kirjasto.sci.fi

But sometimes he became bored of the antique gardens of words, where he wanted to live: "The flesh grows weary.
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"Forgetful let me lie where summer's drouth / Sifts fine the sand and then with gaping mouth / Dream planet-struck by the grape's round wine-red star.
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Mallarmé died in Paris, on September 9, 1898 without completing this work.
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The Afternoon of the Faun presents the wandering thoughts of a faun on a drowsy summer afternoon.
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Helena Sinervo, 2006) POÉSIES, 1899 - Posies/Poetical Works, in Collected Poems and Other Verse (tr. and ed. by E.H.
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Once he stated: "I become obscure, of course! if one makes a mistake and thinks one is opening a newspaper." For the rest of his life Mallarmé devoted himself to putting his literary theories into practice and writing his Grand Oeuvre (Great Work).
www.kirjasto.sci.fi/mallarme.htm

Mallarme.com

Mallarm's vers libre and word music shaped the 1890s Decadent movement.
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According to his theories, nothing lies beyond reality, but within this nothingness lies the essence of perfect forms and it is the task of the poet to reveal and crystallize these essences.
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Mallarm's most well known poems are L'Aprs Midi D'un Faun (The Afternoon of a Faun) (1865), which inspired Debussy's tone poem (1894) of the same name and was illustrated by Manet.
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Debussy's tone poem The Afternoon of a Faun, and the ballet immortalized by Nijinski, are based on a famous poem of Mallarm , while the visual pattern of his poem A Throw of the Dice Will Never Abolish Chance foreshadowed the typographical experimentation of contemporary poetry.
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Please note that Mallarme.com is a private tribute website, unaffiliated with Stphane Mallarm or his representatives.
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Certain of Mallarm's aesthetic theories parallel those of the abstract painters of today, while his poetical syntax was compared by Roger Fry to the technique of the Cubists.
mallarme.com

Stéphane Mallarmé: Biography from Answers.com

The poems were intended for what he called his Grand oeuvre, which he never completed.
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Stéphane Mallarmé: Biography from Answers.com Library Animal Life Business & Finance Cars & Vehicles Entertainment & Arts Food & Cooking Health History, Politics, Society Home & Garden Law & Legal Issues Literature & Language Miscellaneous Religion & Spirituality Science Sports Technology Travel & Places Q & A Stéphane Mallarmé Britannica Concise Encyclopedia: Stphane Mallarm Top Home > Library > Miscellaneous > Britannica Concise Encyclopedia (click to enlarge)Stéphane Mallarmé, 1891.
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This tension between the possibility and the impossibility of poetry continues to make Mallarmé's work provocative and topical, more than a hundred years after its first appearance in print.— Malcolm BowieBibliographyJ.-P.
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Oxford Companion to French Literature: Stéphane Mallarmé Top Home > Library > Literature & Language > French Literature Companion Mallarmé, Stéphane (1842-98).
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Post a question - any question - to the WikiAnswers community: 0;"> Copyrights: Cite Britannica Concise Encyclopedia Britannica Concise Encyclopedia.
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French poet in verse and prose, patron saint of the Symbolist movement, and essential reference-point for countless later writers, artists, and theorists.
www.answers.com/topic/st-phane-mallarm

Stéphane Mallarmé - Wikiquote

231 L'oeuvre pure implique la disparition élocutoire du poëte, qui cède l'initiative aux mots.
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I hate them, nurse, and would you have me feel Their drunken vapors make my senses reel?
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... the line of poetry in such a case should be composed not of words, but of intentions, and all the words should fade away before the sensation..
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All alone I gave Myself for triumph the ideal sin of roses.
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All alone I gave Myself for triumph the ideal sin of roses.
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"Brise Marine", line 1 (1887), as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p.70 Le monde est fait pour aboutir à un beau livre.
en.wikiquote.org/wiki/Stéphane_Mallarmé

Stéphane Mallarmé - Author at New Directions Publishing Corp.

As well as changing the course of modern French literature, his work influenced James Joyce, T.
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Each poem is built around a central symbol, idea, or metaphor and consists of subordinate images that illustrate and help to develop the idea.
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Stéphane Mallarmé “An avant-gardist, a wit, a salon keeper, a fashion commentator, a translator of Poe's poems, a critic who supported the Impressionists and a forerunner of the Symbolist poets whose innovative ways with language had a significant impact on Modernism, Mallarmé himself was nothing less than a work of art.” — Grace Glueck, New York Times on Stéphane Mallarmé's Mallarme In Prose   ‹  › Stéphane Mallarmé Author French Symbolist Poet Stéphane Mallarmé (1842-1898) was the great French Symbolist poet.
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A Tomb For Anatole Mallarme In Prose Selected Poetry And Prose More Praise… “[A Tomb for Anatole] is one of the most moving accounts of a man trying to come to grips with modern death – that is to say, death without God, death without hope of salvation – and it reveals the secret meaning of Mallarmé's whole aesthetic: the elevation of art to the stature of religion.” — Paul Auster on Stéphane Mallarmé's A Tomb For Anatole You might also like...
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Stephane Mallarme Facts, information, pictures | Encyclopedia.com ...

Among useful studies in English are Hasye Cooperman, The Aesthetics of Stéphane Mallarmé (1933); Wallace Fowlie, Mallarmé (1953); Joseph Chiari, Symbolism from Poe to Mallarmé: The Growth of a Myth (1956), with a foreword by T.
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Mallarmé's Oeuvres complètes was published in 1945.Critical AssessmentThe exquisite qualities of Mallarmé's art are evident both in his poetry and in such prose poems as Plainte d'automne and Frisson d'hiver.
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1965); Robert Greer Cohn, Toward the Poems of Mallarmé (1965) and Mallarmé's Masterwork: New Findings (1966); and Thomas A.
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An agonizing spiritual crisis in 1866 led to Mallarmé's complete loss of religious faith and to his austere, half-mystical preoccupation with eternity and le Néant (Nothingness, or Annihilation).In 1875 Mallarmépublished Le Corbeau (his translation of Edgar Allan Poe's The Raven) with illustrations by Édouard Manet; and the following year appeared L'Aprèsmidi d'un faune, églogu…., one of his most memorable poems.
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Retrieved March 29, 2012 from Encyclopedia.com: http:// www.encyclopedia.com/doc/1O142-MallarmStephane.html Learn more about citation styles Free newspaper and magazine articles Walker takes a leaf out of Matisse's books; The UK's first public showing of...
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Close Create a link to this page Copy and paste this link tag into your Web page or blog: Mallarmé, Stephane Cite this article Pick a style below, and copy the text for your bibliography.
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Poet: Stéphane Mallarmé - All poems of Stéphane Mallarmé

All information has been reproduced here for educational and informational purposes to benefit site visitors, and is provided at no charge...
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Stéphane Mallarmé - Poetry In Translation - A.S. Kline's Free ...

PAGEREF _Toc223495063 \h 42 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003000360033000000 She slept: her finger trembled, amethyst-less.
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From my memory Triumphantly cant you Rise today, like sorcery From an iron-bound book or two:   Since, through science, I inscribe The hymn of hearts so spiritual In my patient work, inside Atlas, herbal, ritual.
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PAGEREF _Toc223495047 \h 25 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003000340037000000 All at once, as if in play, PAGEREF _Toc223495048 \h 26 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003000340038000000 Not meaningless flurries like.
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  O nymphs, lets rise again with many memories.
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PAGEREF _Toc223495102 \h 44 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003100300032000000 O so dear PAGEREF _Toc223495103 \h 45 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003100300033000000 Sonnet PAGEREF _Toc223495104 \h 46 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003100300034000000 Autumn Plaint PAGEREF _Toc223495105 \h 47 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003100300035000000 Sea Breeze.
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PAGEREF _Toc223495040 \h 12 08D0C9EA79F9BACE118C8200AA004BA90B02000000080000000E0000005F0054006F0063003200320033003400390035003000340030000000 To you, gone emblem of our happiness!
www.poetryintranslation.com/PITBR/French/Mallarme.htm

BiblioVault - Stéphane Mallarmé

In his poems and prose statements and by the example of his life, Mallarmé provided answers to these questions.
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Home Browse by Title Browse by Author Browse by Publisher Accessibility Offices     - Accessibility Files Publishers     - About BiblioVault     - eBook Fulfillment     - Member Login Site Help home | accessibility | about | help BiblioVault ® 2001 - 2012 | The University of Chicago Press
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- (Critical Lives), Mallarmé, Stephane, 1842-1898., Poets, French 19th century Biography.
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BiblioVault - Stéphane Mallarmé Search by title Search by author Search by ISBN Search by subject Book Information       Stéphane Mallarmé   Roger Pearson  Publisher: Reaktion Books, 2010  ISBN-10: 1-86189-659-X (Paper); 1- 86189-727-8 (Electronic) ISBN-13: 978-1-86189-659-9 (Paper); 978-1-86189-727-5 (Electronic)   Subject headings: Stéphane Mallarmé.
www.bibliovault.org/BV.book.epl?ISBN=9781861896599

Stephane Mallarme - Poems, Biography, Quotes

Some of Stephane Mallarme Poems Apparition View all Stephane Mallarme Poems Quote from Author In reading, a lonely quiet concert is given to our minds; all our mental faculties will be present in this symphonic exaltation.
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Cummings Walt Whitman William Wordsworth Allen Ginsberg Sylvia Plath Jack Prelutsky William Butler Yeats Thomas Hardy Robert Hayden Amy Lowell Oscar Wilde Theodore Roethke All Poets   See also: Love Poems and Quotes Poets by Nationality African American Poets Women Poets Thematic Poems Thematic Quotes Contemporary Poets Nobel Prize Poets American Poets English Poets Stephane Mallarme (1842 - 1898) Enlarge Picture View Stephane Mallarme: Poems Quotes Biography Books Great French Symbolist poet Stephane Mallarme was born in Paris in 1842.
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Stéphane Mallarmé, Pearson - The University of Chicago Press | Home

Cryptonym Blog Publisher All Books from Reaktion Books RSS Feed RSS feed of the latest books from Reaktion Books.
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Pearson adroitly integrates Mallarmé's life and works (poetry, prose, journalism, interviews, and miscellaneous social verses).Writing with a verve that mimics Mallarmé's without being precious, Pearson inserts definitions, which a specialist is likely to know, without being patronizing.
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In his poems and prose statements and by the example of his life, Mallarmé provided answers to these questions.
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Recommended."--Choice Contents Introduction: Critical Moments1  Classrooms2  Crossroads3  Chasms4  Tombs5  Tuesdays6  Toasts7  DiesEpilogue: Beyond the IndiesBibliographyAcknowledgementsPhoto Acknowledgements For more information, or to order this book, please visit http://www.press.uchicago.edu Google preview here Biography and Letters You may purchase this title at these fine bookstores.
www.press.uchicago.edu/ucp/books/book/distributed/S/bo8931113.html

Stephane Mallarme - Poems and Biography by Poetry Connection

"A roll of the dice") of 1897, his last major poem.
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Biography by: This article is licensed under the GNU Free Documentation License and uses material adapted in whole or in part from the Wikipedia article on Stphane Mallarm.
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His fin-de-siecle style is anticipatory of many of the developments in fusions between art and poetry which were to blossom in the Dadaist, Surrealist and Futurist schools, where the tension between the words on the page and the way in which they were displayed was paramount.
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On closer reading of his work in the original French, it is clear that the sound relationships between the words in the poetry are of equal or even greater importance than the standard 'meanings' of the words themselves, often unfolding new meanings in the spoken text which are not self-evident on reading the work on the page.
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Yeats, Rainer Maria Rilke, Paul Valry, Stefan George, Paul Verlaine, and many more held court with Mallarm as the judge, jester, and king.
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Debussy also set Mallarm's poetry to music in Trois pomes de Stphane Mallarm (1913).
www.poetryconnection.net/poets/Stephane_Mallarme

Stéphane Mallarmé - The Art and Popular Culture Encyclopedia

For many years, the Tuesday night sessions in his apartment on the rue de Rome were considered the heart of Paris intellectual life, with W.B.
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It is this aspect of the work that is impossible to render in translation (especially when attempting a more literal fidelity to the words as well), since it arises from ambiguities inextricably bound in the phonology of the spoken French language.
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On a closer reading of his work in the original French, it is clear that the importance of sound relationships between the words in the poetry equals, or even surpasses, the importance of the standard meanings of the words themselves.
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This is often said to be due to the inherently vague nature of much of his work, but this explanation is really a simplification.
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Some consider Mallarmé one of the French poets most difficult to translate into English.
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The poem opens with the phrase 'ses purs ongles' ('her pure nails'), whose first syllables when spoken aloud sound very similar to the words 'c'est pur son' ('it's pure sound').
www.artandpopularculture.com/Stéphane_Mallarmé

Mallarme, Stephane (Writer) - what-when-how — In Depth Information

Wallace Stevens credits Mallarme as a source of great inspiration, as does T.
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His first poems were published in magazines in the 1860s, and his first important poem, “L’Azur,” was published when he was only 24.
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After graduation, he visited England, was married in London, and then returned to France, where he accepted the first in a series of teaching posts.
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He wrote two articles on Manet, which are considered to be incisive symbolist analyses of impressionism.
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He spent long periods of time obsessing over the minute details of each of his poems, reveling in the importance of even the smallest and seemingly most insignificant details of language and imagery.
what-when-how.com/writers/mallarme-stephane-writer

The Pipe by Stéphane Mallarmé : The Poetry Foundation

Peter Gizzi Interviewed by Ben Lerner Read more articles Share Print The Pipe The Pipe By Stéphane Mallarmé 1842–1898 Stephane Mallarme Translated By Henry Weinfield Yesterday I found my pipe while pondering a long evening of work, of fine winter work.
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My tobacco had the scent of a somber room with leather furniture sprinkled by coal dust, on which the thin black cat would curl and stretch; the big fires! and the maid with red arms pouring coals, and the noise of those coals falling from the sheet-iron bucket into the iron scuttle in the morning—when the postman gave the solemn double knock that kept me alive!
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I had not been in contact with my faithful sweetheart since returning to France, and now all of London, London as I had lived it a year ago entirely alone, appeared before my eyes: first the dear fogs that muffle one’s brains and have an odor of their own there when they penetrate beneath the casements.
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Since his lifetime, critics have continued to disagree as to the .
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Poetry at the Threshold Peter Gizzi on lyric selfhood and the perils of singing.
www.poetryfoundation.org/poem/241190

The Afternoon of the Faun~Stephane Mallarme

"My eye, piercing the reeds, shot at each immortal Neck, which drowned its burning in the wave With a cry of rage to the forest sky; And the splendid bath of their hair disappears In the shimmer and shuddering, oh diamonds!
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No, but the soul Void of word and my body weighed down Succumb in the end to midday's proud silence: No more, I must sleep, forgetting the outrage, On the thirsty sand lying, and as I delight Open my mouth to wine's potent star!
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'tis amid you, visited by Venus On your lava fields placing her candid feet, When a sad stillness thunders wherein the flame dies.
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." Inert, all burns in the fierce hour Nor marks by what art all at once bolted Too much hymen desired by who seeks the Ia: Then shall I awake to the primitive fervour, Straight and alone, 'neath antique floods of light, Lilies and one of you all through my ingenuousness.
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So clear Their light carnation, that it floats in the air Heavy with tufted slumbers.
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